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Edvard
Munch

Edvard Munch, a pioneer of Expressionism, captivated the art world with his evocative exploration of psychological themes and bold, emotive use of colour. If you’re looking for original Edvard Munch prints and editions for sale or would like to sell, request a complimentary valuation and browse our network’s most in-demand works.

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Biography

Edvard Munch, born in 1863 in Loten, Norway, was a seminal figure in the evolution of modern art, particularly known for his role in the Expressionist movement. His childhood wasn’t without tragedy, with the loss of his mother and sister to tuberculosis, affecting his psyche and subsequently influencing his later works. Munch's early experiences with death, illness, and melancholy became recurring themes in his art, giving it a deeply personal and emotional dimension. He studied at the Royal School of Art and Design in Kristiania (now Oslo), where he began to develop his style as an artist.

His early works, though initially influenced by Impressionism, gradually veered towards a more symbolic and expressive style. This shift marked the beginning of his journey into exploring psychological depth through his art, a journey that would eventually redefine the boundaries of artistic expression.

In his professional career, Munch's work gained significant attention and often sparked controversy. His participation in the 1892 Berlin Secession was a turning point, bringing his art into the international spotlight but also provoking public debate due to its unconventional and emotionally charged nature. Munch's art was characterised by its exploration of the human experience, existential dread, and the complexities of the human psyche. Works like The Scream epitomised this approach, capturing universal feelings of angst and despair. His art practice also included graphic work, exploring lithography and woodcuts. Despite facing his own personal struggles with mental health, Munch continued to produce art that resonated with authenticity and emotional intensity. At the time of his death in 1944, he left a profound legacy, his body of work influencing generations of artists and establishing him as a pivotal figure in the narrative of modern art.

In 1902, Munch's personal exhibition in Berlin solidified his status as a leader in the expressionist movement. The Berlin show, attracting influential critics and artists, marked a crucial turning point, bringing his thematic exploration of existentialism to the forefront.

Munch's influence was further cemented through his professorship at the Royal School of Art and Design in Kristiania (now Oslo) starting in 1916, where he nurtured a new generation of artists. His innovative spirit and exploration of psychological themes left a profound impact on the German Expressionist movement and the narrative of modern art, positioning Munch as a seminal figure whose work continues to resonate in contemporary artistic discourse.


A ghostly figure standing on a bridge, clutching its face in an expression of anguish. The figure is surrounded by a swirling, vibrant sky of orange, red, and yellow tones, contrasting with the deep blues and blacks of the water and landscape. Two distant figures are visible on the bridge and a boat floats on the water.

The Scream © Edvard Munch 1895

1. £66.0M for Edvard Munch's The Scream

Munch's current auction record was achieved by The Scream (1895) when it sold at Sotheby's New York in May 2012. This pastel on board version of his most famous image represents one of four main versions of The Scream, and is the only one remaining in private hands. This pastel version was part of Munch’s semi-autobiographical cycle Frieze of Life, which focused on themes of relationships, life, death, and dread; it is also widely agreed to be the most expressive version of The Scream, thanks to the layered contours made possible through the pastel medium. Its impressive auction result was driven not only by its rarity but also by its superior condition and prestigious provenance - it had been in the collection of Norwegian businessman Petter Olsen, whose father was a friend and patron of the artist. Olsen used the proceeds from the 2012 sale to establish an ecological and cultural retreat alongside the Kristiania Fjord (now Oslo Fjord) in Hvitsten, restoring Munch’s former summerhouse in the process. The work's iconic status as one of the most recognisable images in art history, combined with its vivid colours and remarkable freshness, contributed to its success in 2012. Significantly, it remains one of the highest prices ever paid for any work of art at auction.

A group of girls in bright dresses and hats stand on a wooden bridge leading away from the viewer, overlooking a serene waterway. The scene features bold colours, undulating lines, and a dreamlike atmosphere, with houses and trees in the background.

Pikene På Broen © Edvard Munch 1902

2. £38.3M for Edvard Munch's Pikene På Broen

Pikene På Broen (Girls on the Bridge) (1902) took second place when it sold at Sotheby's New York in November 2016. The painting represents one of Munch's most significant themes, which he revisited numerous times throughout his career, including in printed form - a group of women or girls huddled together on a bridge in a semi-natural semi-urban setting. The motif is generally believed to represent our journey into the unknown future. This particular painting is recognisably set in the Åsgårdstrand area in Norway, with the Kjøsterudgården house visible in the background. Its confirmed setting has added to its appeal for Munch collectors, situating the work even deeper in the Norwegian landscapes associated with the artist. It previously sold for £13.9M at Sotheby's New York in May 2008, and £4.2M in November 1996. These dramatic price increases over two decades demonstrate the sustained market appreciation for Munch's most iconic subjects.

An expressive painting of a woman with long, fiery red hair flowing around her, partially covering her face and chest. She leans forward, embracing a dark, shadowy male figure, creating a dramatic and emotional composition set against a deep, textured background.

Vampire (Love And Pain) © Edvard Munch 1894

3. £21.2M for Edvard Munch's Vampire

Vampire (1894) set Munch’s auction record when it sold at Sotheby’s New York in November 2008, during a period of global uncertainty before the financial crisis itself began. It was, subsequently, one of the last major art sales in the pre-recession period. On the night, a printing error from Sotheby’s, claiming an irrevocable bid on the work, added intrigue and confusion to proceedings. Munch created several versions of Vampire, using slightly different colours and techniques, between the years of 1893 and 1895 - the central female character appears more vampiric in some versions than others. Although Munch himself maintained that the painting depicts a woman kissing a man on the neck, its controversial critical reception suggested that viewers believed it to depict something more sinister. As a result, Munch’s friend, critic Stanisław Przybyszewski, later dubbed it “Vampire.” The work's strong performance in 2008 was supported by its fresh-to-market status, having been in private hands for over 70 years.

This colourful Impressionistic painting depicts many figures dancing on a shoreline under a moody sky. The central couple moves gracefully, surrounded by other figures in dynamic, flowing poses and colourful, if simplistic, outfits. Two other figures, not dancing, stand in the foreground. The composition suggests joviality, with fluid lines.

Dans På Stranden © Edvard Munch 1906-07