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The Arrival Of Spring In Woldgate East Yorkshire 25th February 2011 - Signed Print by David Hockney 2011 - MyArtBroker

The Arrival Of Spring In Woldgate East Yorkshire 25th February 2011
Signed Print

David Hockney

£60,000-£90,000Value Indicator

$120,000-$180,000 Value Indicator

$110,000-$160,000 Value Indicator

¥550,000-¥820,000 Value Indicator

70,000-110,000 Value Indicator

$590,000-$880,000 Value Indicator

¥11,520,000-¥17,270,000 Value Indicator

$80,000-$110,000 Value Indicator

-2% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Digital Print

Edition size: 25

Year: 2011

Size: H 140cm x W 106cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of David Hockney’s The Arrival Of Spring In Woldgate East Yorkshire 25th February 2011 (signed) is estimated to be worth between £60,000 and £90,000. This digital print artwork has shown consistent value growth, with an auction history of three total sales since its entry to the market in May 2023. The hammer price over the past 12 months has ranged from £55,000 in November 2023 to £75,000 in September 2023. The current average annual growth rate is -2%. This work is part of a limited edition of 25.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
November 2023Bonhams Online United Kingdom
September 2023Phillips London United Kingdom
May 2023Christie's New York United States

Meaning & Analysis

In this digital composition, Hockney employs his iPad to create a detailed representation of nature's awakening. The artwork features a striking red tree stump set against a backdrop of emerging green foliage, with nuanced blue and brown tones interwoven throughout. Hockney's bold lines and varied colour palette imbue the scene with a sense of movement, effectively capturing the subtle changes of the season.

The creation date (25th February) is significant, as it forms part of a chronological documentation of spring's arrival. This methodical approach allows for a detailed study of gradual changes in light, colour, and vegetation over time. Hockney's choice to use an iPad for this series reflects his ongoing interest in adapting new technologies for artistic expression, a theme present throughout his career.

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