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The Arrival Of Spring In Woldgate East Yorkshire 17th April 2011 - Signed Print by David Hockney 2011 - MyArtBroker

The Arrival Of Spring In Woldgate East Yorkshire 17th April 2011
Signed Print

David Hockney

£100,000-£150,000Value Indicator

$200,000-$300,000 Value Indicator

$180,000-$260,000 Value Indicator

¥900,000-¥1,340,000 Value Indicator

120,000-180,000 Value Indicator

$950,000-$1,430,000 Value Indicator

¥19,260,000-¥28,890,000 Value Indicator

$120,000-$180,000 Value Indicator

32% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Digital Print

Edition size: 25

Year: 2011

Size: H 140cm x W 105cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of David Hockney’s The Arrival Of Spring In Woldgate East Yorkshire 17th April 2011 (signed) is estimated to be worth between £100,000 to £150,000. This digital print artwork, created in 2011, has shown strong value growth, with an impressive average annual growth rate of 32%. This is a rare artwork with an auction history of two sales since its entry to the market in June 2017. The edition size of this artwork is limited to 25.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
May 2022Phillips New York United States
June 2017Phillips London United Kingdom

Meaning & Analysis

In 2010 Apple released the iPad and Hockney’s practice was transformed. This new digital sketchbook allowed him to become even more prolific in his old age, transforming his drawings into digital prints that could be disseminated widely. Beginning in January and ending in early June, the works show the transformation of a country lane which starts as an unforgiving winter landscape and ends in a verdant celebration of life. With 17th April we find the first signs of leaves returning to the branches in a composition dominated by bright greens and soft pinks which seem to denote sunset. As with many of the prints in this series Hockney has chosen to include the road that divides the greenery as well as a crumbling wall, perhaps in order to remind us of the human presence in this scene. Combining fine lines with gestural marks and hazy washes of colour, Hockney uses the iPad to recreate some of his earlier work across etching, lithography and screen printing. Here we see the artist truly connect with his medium which requires no intermediary, no screen, no plate or assistant. Instead the iPad becomes just another page in his sketchbook, offering an immediate and spontaneous recording of the beauty of nature.

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