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Apples, Grapes, Lemon On A Table - Signed Print by David Hockney 1988 - MyArtBroker

Apples, Grapes, Lemon On A Table
Signed Print

David Hockney

£6,500-£10,000Value Indicator

$13,000-$20,000 Value Indicator

$11,500-$18,000 Value Indicator

¥60,000-¥90,000 Value Indicator

8,000-12,000 Value Indicator

$60,000-$100,000 Value Indicator

¥1,240,000-¥1,910,000 Value Indicator

$8,000-$12,500 Value Indicator

-9% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Lithograph

Edition size: 91

Year: 1988

Size: H 63cm x W 76cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of David Hockney's Apples, Grapes, Lemon On A Table (signed) is estimated to be worth between £6,500 and £10,000. This lithograph print from 1988 has shown consistent value growth since its first sale in April 2013. Over the past 12 months, the average return to the seller has been £6,500, with a total of 1 artwork sold. This work has a strong auction history, having been sold 7 times in total. The 5-year hammer price ranges from £6,500 in September 2024 to £11,498 in October 2021. The edition size of this artwork is limited to 91.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
September 2024Phillips London United Kingdom
March 2023Christie's New York United States
October 2021Phillips New York United States
April 2016Phillips New York United States
July 2014Christie's New York United States
May 2013Christie's New York United States
April 2013Phillips New York United States

Meaning & Analysis

In the top half of the image a bunch of grapes, two apples – one red, one green – and a lemon sit on a plane in space, recalling their Platonic ideals. The bottom half reveals this neutral surface to be part of an antique table, its lack of ornament or detail on top made up for with its scroll-like legs and elaborate knob. A green rug adds another plane of colour to this dynamic composition which represents one of Hockney’s many experiments with a photocopying machine as part of his Home Made Prints series.

Before the mid ’80s Hockney had worked primarily across etching and lithography within his prints but with the purchase of an office photocopier he was able to find more agency in his process, which allowed him to work without the help of an assistant to prepare plates for him or to guide him through a complicated printing process. While etching offered some independence it was tricky to use colour; here the photocopier became an ideal substitute, allowing him to layer colours – and textures – as he might in a screen print. With this subversion of medium Hockney also subverts the very traditional subject of the still life, filling it with the dynamism and colour of ’80s and ’90s graphics, and joining a long line of artists who have reinterpreted the still life over the centuries.

  • British-born artist David Hockney is a kaleidoscopic force in the art world. Born in 1937, Hockney's vibrant palette and innovative techniques have left an indelible mark on contemporary art. A pioneer of the British Pop Art movement in the 1960s, he seamlessly transitioned through various styles, from photo collages to vivid landscapes. Renowned for his exploration of light and space, Hockney's versatility extends to painting, printmaking, photography, and stage design. A captivating storyteller, his works often capture the essence of modern life with a playful yet profound touch. With a career spanning decades, Hockney remains an enduring visionary in the ever-evolving art world.

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