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Simplified Faces (State I) - Signed Print by David Hockney 1973 - MyArtBroker

Simplified Faces (State I)
Signed Print

David Hockney

£3,200-£4,800Value Indicator

$6,500-$9,500 Value Indicator

$5,500-$8,500 Value Indicator

¥29,000-¥45,000 Value Indicator

3,850-6,000 Value Indicator

$30,000-$45,000 Value Indicator

¥600,000-¥910,000 Value Indicator

$4,050-$6,000 Value Indicator

-4% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Etching

Edition size: 30

Year: 1973

Size: H 34cm x W 33cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of David Hockney's Simplified Faces (State I) is estimated to be worth between £3,200 and £4,800. This signed etching, created in 1973, has shown consistent value growth over the past five years, with the hammer price ranging from £3,192 in October 2022 to £6,000 in September 2022. The average annual growth rate is currently 3% and the artwork has an auction history of five total sales since its entry to the market in February 2012. This work is part of a limited edition of 30.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
October 2022Galerie Gloggner Luzern Switzerland
September 2022Bonhams Knightsbridge United Kingdom
September 2019Christie's London United Kingdom
April 2013Christie's London United Kingdom
February 2012Christie's London United Kingdom
December 1993Christie's Amsterdam Netherlands

Meaning & Analysis

This signed print by much loved British artist David Hockney was issued in 1973 in a limited edition of 30. Around this period, Hockney had spent a large amount of time producing The Weather Series – an edition of minimal yet evocative prints depicting a variety of weather events. Produced in large part following a trip Hockney made to Japan, there is a loneliness to these images which some have identified as product of the artist’s then recent breakup with artist and onetime partner Peter Schlesinger, the subject of some of his most iconic painterly works, namely A Bigger Splash (1967). Absent of any figurative depiction of friends and recurrent sitters, such as Celia Birtwell, The Weather Series bears thematic similarity to the portrait-based work, Simplified Faces (State I), despite this latter’s evocation of an entirely divergent subject matter. Faces remain the principal subject of the work, yet somehow ‘faces’ – in their traditional sense – remain absent. Instead, cartoon-like masks drawn from both memory and fantasy are propped up against static, inanimate objects which betray their spiritlessness. Beneath these geometric evocations of human features, text serves an explanatory function. ‘Simplified’, as the piece’s title suggests, these faces are reduced, by text, to emotionless form.

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