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Ann In The Studio - Signed Print by David Hockney 1984 - MyArtBroker

Ann In The Studio
Signed Print

David Hockney

£1,200-£1,800Value Indicator

$2,400-$3,550 Value Indicator

$2,150-$3,250 Value Indicator

¥11,000-¥17,000 Value Indicator

1,450-2,200 Value Indicator

$12,000-$18,000 Value Indicator

¥230,000-¥340,000 Value Indicator

$1,500-$2,300 Value Indicator

-11% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Intaglio

Edition size: 61

Year: 1984

Size: H 78cm x W 106cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of David Hockney's Ann In The Studio (signed) is estimated to be worth between £1,200 and £1,800. This intaglio print, created in 1984, has shown consistent value growth, with an average annual growth rate of 7%. This work has an auction history of 14 total sales since its entry to the market in October 2009. In the last 12 months, the hammer price has ranged from £929 in July 2024 to £1,842 in August 2024. Over the past five years, the hammer price has varied from £929 in July 2024 to £5,142 in July 2021, with an average annual growth rate of 11%. The edition size of this artwork is limited to 61.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
July 2024Christie's New York United States
October 2022Doyle Auctioneers & Appraisers United States
October 2021Wright United States
July 2021Christie's New York United States
September 2020Sotheby's Online United Kingdom
February 2020Rago United States
March 2019Forum Auctions London United Kingdom

Meaning & Analysis

This signed Intaglio by renowned British artist David Hockney was released in 1984 in an edition of 60. As the title suggests, the work depicts the artist’s acquaintance Ann in his studio, the exclusive location of all of his portraiture works. Ann sits centrally in the foreground as Hockney’s studio sprawls in the background on either side. Relaxed with one hand propping up her head as she leans back into the chair, the sitter’s gaze is not on the viewer, but on the artist, suggesting the two are engaged in conversation whilst her portrait is being captured. Ann’s features are reduced to simplistic lines, yet Hockney’s skill lies in his ability to still capture a great likeness. Executed in a Picasso-esque style, the simplicity of this line drawing does not conceal its intimacy and emotion. Throughout the Portraits collection, and indeed Hockney’s entire oeuvre, the artist’s style continues to change, reflecting the limitlessness of his artistic abilities.

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