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H4-6 Kew - Signed Print by Damien Hirst 2008 - MyArtBroker

H4-6 Kew
Signed Print

Damien Hirst

£6,000-£8,500Value Indicator

$12,000-$17,000 Value Indicator

$10,500-$15,000 Value Indicator

¥50,000-¥80,000 Value Indicator

7,000-10,000 Value Indicator

$60,000-$80,000 Value Indicator

¥1,150,000-¥1,620,000 Value Indicator

$7,500-$10,500 Value Indicator

-12% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Giclée print

Edition size: 75

Year: 2008

Size: H 92cm x W 126cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Damien Hirst's H4-6 Kew (signed) is estimated to be worth between £6,000 and £8,500. This giclée print, created in 2008, has shown consistent value growth, with an average annual growth rate of 6%. Over the past 12 months, the artwork has sold for an average selling price of £4,542, across one total sale. This work has an auction history of five total sales, since its entry to the market on 14th September 2022. The edition size of this artwork is limited to 75.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
June 2024Phillips Hong Kong Hong Kong
January 2024Phillips London United Kingdom
January 2023Phillips London United Kingdom
December 2022Tate Ward Auctions United Kingdom
September 2022Phillips London United Kingdom

Meaning & Analysis

The print is part of Hirst’s Veils collection which was inspired by the concept of a veil. The artist explains how he was intrigued by the way in which a veil can both reveal and obscure the truth and the layers of paint in the compositions can be seen as a series of veils that the viewer must look through to see what is hidden behind the surface of the composition.


The style of painting in H4-6 Kew is clearly influenced by Impressionism and Abstract Expressionism. The abstract painting also resonates with the Pointillist movement which was born out of Georges Seurat and Paul Signanc’s experimentations with making paintings out of small yet distinct dots. Hirst often incorporates spots into his artworks, most notably in his Spot Paintings. The use of spots in the Veils collection, however, is much less regimented than the way the shapes are used in the Spot paintings which are characterised by precision and uniformity.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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