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The Souls III (turquoise, rustic copper, silver gloss) - Signed Print by Damien Hirst 2010 - MyArtBroker

The Souls III (turquoise, rustic copper, silver gloss)
Signed Print

Damien Hirst

£7,500-£11,000Value Indicator

$15,000-$22,000 Value Indicator

$13,500-$20,000 Value Indicator

¥70,000-¥100,000 Value Indicator

9,000-13,500 Value Indicator

$70,000-$110,000 Value Indicator

¥1,410,000-¥2,070,000 Value Indicator

$9,500-$14,000 Value Indicator

29% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Foil Block

Edition size: 15

Year: 2010

Size: H 72cm x W 51cm

Signed: Yes

Format: Signed Print

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The value of Damien Hirst's The Souls III (turquoise, rustic copper, silver gloss) is estimated to be worth between £7,500 to £11,000. This signed foil block artwork was created in 2010 and has shown consistent value growth. The work has an auction history of one sale on 11th December 2019. The edition size of this artwork is limited to 15.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
December 2019Forum Auctions London United Kingdom

Meaning & Analysis

Hirst is fascinated by religion and his work, like The Souls series, addresses the timeless endless renewing of faith in the face of mortality. The butterfly is used by the artist as a traditional symbol of the soul, and of the soul’s presence on Earth before transmigration to an afterlife. Thus, in the gallery space, The Souls create an all-encompassing effect that surrounds the viewer.

Speaking of the display of The Souls in the gallery space, Hirst has explained: “This comes from an idea to fill the gallery with butterflies, an idea that I’ve had before. When I think of ‘The Souls’ I think of Judgement Day and ‘Jacob’s ladder’. Many souls work better than one, so to hang them…and to use all the available space is great way of doing it theologically.”

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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