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The Souls III (turquoise, cool  gold, rustic copper) - Signed Print by Damien Hirst 2010 - MyArtBroker

The Souls III (turquoise, cool gold, rustic copper)
Signed Print

Damien Hirst

£7,000-£11,000Value Indicator

$14,000-$22,000 Value Indicator

$12,500-$20,000 Value Indicator

¥60,000-¥100,000 Value Indicator

8,500-13,500 Value Indicator

$70,000-$110,000 Value Indicator

¥1,320,000-¥2,080,000 Value Indicator

$9,000-$14,000 Value Indicator

50% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Foil Block

Edition size: 15

Year: 2010

Size: H 72cm x W 51cm

Signed: Yes

Format: Signed Print

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Damien Hirst's The Souls III (turquoise, cool gold, rustic copper) (signed), created in 2010, is a stunning foil block artwork with an estimated value of £7,000 to £11,000. This is a rare artwork with an auction history of one sale on 18th December 2018. The current owner of this artwork has the opportunity to become the second seller. The edition size of this artwork is limited to 15.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
December 2018Bonhams New Bond Street United Kingdom

Meaning & Analysis

Reminiscent of the work of Pop artist Andy Warhol, Hirst creates a vast series of prints, each with the same subject and composition. There are four species of butterflies depicted across The Souls series, each print showing one, within which there are 80 colour variations, each presented as an edition of 15. Hirst uses a foil block printing technique to give his butterflies a shimmering effect to represent the way their wings would reflect the light.

The butterfly motif is a prominent figure that Hirst has used throughout his career to bring together themes around morality, life, love, faith and aesthetics. Speaking of his obsession with butterflies Hirst has explained, “I think rather than be personal you have to find universal triggers: everyone’s frightened of glass, everyone’s frightened of sharks, everyone loves butterflies.”

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