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Corned Beef - Signed Print by Damien Hirst 1999 - MyArtBroker

Corned Beef
Signed Print

Damien Hirst

£4,850-£7,500Value Indicator

$9,500-$15,000 Value Indicator

$8,500-$13,500 Value Indicator

¥45,000-¥70,000 Value Indicator

6,000-9,000 Value Indicator

$45,000-$70,000 Value Indicator

¥920,000-¥1,420,000 Value Indicator

$6,000-$9,500 Value Indicator

10% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 150

Year: 1999

Size: H 59cm x W 90cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Damien Hirst's Corned Beef (signed) is estimated to be worth between £4,850 and £7,500. This screenprint, created in 1999, has shown consistent value growth, with an average annual growth rate of 9%. This work has an auction history of five total sales since its entry to the market on 3rd December 2002. The edition size of this artwork is limited to 150.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
June 2022Phillips London United Kingdom
January 2018Phillips London United Kingdom
December 2017Pierre Bergé & Associates Paris France
September 2011Christie's New York United States
December 2002Christie's Paris France

Meaning & Analysis

In this series Hirst takes everyday, cafeteria foods and holds them up to Christian faith and the perceived glamour of pharmaceuticals. He shows us how these medicines have become commonplace, their packaging familiar and the contents trusted. For Hirst our relationship with medicine is a belief system, very much like art or religion.

Pharmaceutical imagery, glamour and idolisation can be found early in the artist’s career in his Medicine Cabinet series. Empty medicine packaging is displayed in cabinets under titles including ‘Holidays’, ‘New York’ and ‘God’. Later, he uses similar cabinets to display brightly coloured pills and cubic zirconia.

Hirst’s ongoing questioning of human faith can be found again and again throughout his work. Signed and unnumbered (as is true of all prints in the series) this print can be considered an important piece within the artist’s catalogue raisonné.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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