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The Cure (iris blue, chalk green, charm pink) - Signed Print by Damien Hirst 2014 - MyArtBroker

The Cure (iris blue, chalk green, charm pink)
Signed Print

Damien Hirst

£6,000-£9,000Value Indicator

$12,000-$18,000 Value Indicator

$11,000-$16,000 Value Indicator

¥50,000-¥80,000 Value Indicator

7,000-10,500 Value Indicator

$60,000-$90,000 Value Indicator

¥1,160,000-¥1,740,000 Value Indicator

$7,500-$11,000 Value Indicator

-4% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Screenprint

Edition size: 15

Year: 2014

Size: H 72cm x W 51cm

Signed: Yes

Format: Signed Print

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Meaning & Analysis

The Cure (iris blue, chalk green, charm pink) is one of thirty silkscreen prints that compose Hirst’s The Cure series. In this series, Hirst renders a singular pill in a combination of two colour tones against a bold and vibrant coloured backdrop. The series is based on the minimalist aesthetic of the medicinal pill. Hirst has a long-standing interest in medicine and pharmaceuticals, an area he explored while studying Fire Art at Goldsmiths in the 1980s. In his Eat the Rich series, produced later in 2017, Hirst further develops this interest by depicting tablet boxes and pharmaceutical packaging, instead of simply focussing on the pharmaceutical products themselves, as he does in The Cure series.

The Cure (iris blue, chalk green, charm pink) reflects Hirst’s fascination with science, modern medicine and the pharmaceutical industry. Life and death are themes that are often explored in Hirst’s work which are intricately linked to his obsession with medicine and depicting it in his art.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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