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The Cure (atomic tangerine, cornflower blue, ice blue) - Signed Print by Damien Hirst 2014 - MyArtBroker

The Cure (atomic tangerine, cornflower blue, ice blue)
Signed Print

Damien Hirst

£6,000-£9,000Value Indicator

$12,000-$18,000 Value Indicator

$11,000-$16,000 Value Indicator

¥50,000-¥80,000 Value Indicator

7,000-10,500 Value Indicator

$60,000-$90,000 Value Indicator

¥1,150,000-¥1,730,000 Value Indicator

$7,500-$11,000 Value Indicator

-5% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Screenprint

Edition size: 15

Year: 2014

Size: H 72cm x W 51cm

Signed: Yes

Format: Signed Print

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Meaning & Analysis

The Cure (atomic tangerine, cornflower blue, ice blue) is one of thirty silkscreen prints that compose Hirst’s The Cure series. Each print in this series shares the same format: a single pill rendered in two-colours against a bright block coloured backdrop. The series reflects Hirst’s fascination with modern medicine. This has been a long-standing interest for the artist. While studying Fine Art at Goldsmiths College in the late 1980s, Hirst produced an installation series, known as the Medicine Cabinets series, in which he produced various cabinets that he filled with his grandmother’s old pill packets.

The minimalist aesthetic of The Cure resonates with the way the pharmaceutical industry exudes confidence in their healing abilities and privileges simple packaging to reflect their self-assured attitude. The manipulation of size in this print, with the pill dominating the composition, appearing unnaturally large, is another technique employed by Hirst to represent the confidence of the pharmaceutical industry.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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