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Fuckoff - Signed Print by Damien Hirst 2017 - MyArtBroker

Fuckoff
Signed Print

Damien Hirst

£3,500-£5,500Value Indicator

$7,000-$11,000 Value Indicator

$6,500-$10,000 Value Indicator

¥30,000-¥50,000 Value Indicator

4,250-6,500 Value Indicator

$35,000-$50,000 Value Indicator

¥660,000-¥1,040,000 Value Indicator

$4,400-$7,000 Value Indicator

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Screenprint

Edition size: 150

Year: 2017

Size: H 102cm x W 76cm

Signed: Yes

Format: Signed Print

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Damien Hirst's Fuckoff (signed) from 2017, a screenprint, is estimated to be worth between £3,500 and £5,500. This artwork has shown consistent value growth since its first sale in June 2020. The hammer price for this work in the last five years has ranged from £2,550 in December 2020 to £2,550 in December 2020. This piece is part of a limited edition of 150.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
June 2020Bonhams Knightsbridge United Kingdom

Meaning & Analysis

Fuckoffis one of twelve silkscreen prints that compose the Eat the Rich series. The series is inspired by pharmaceutical packaging. Most of the prints in the series depict tablet boxes, making Fuckoff stand out from the others in the series as its focus is on syringes. The product names in the series all carry connotations of aggression, force and violence. The names of the pharmaceutical products contrast radically with the healing properties of the products.

The influence of conceptual sculptors such as Sol Le Witt and Donald Judd can be seen in the minimalist design of the packaging for Fuckoff. The simple design reflects the confidence in modern medicine and its ability to cure everyone and everything. This print, along with the others in the series, is a means for Hirst to make a statement about the pharmaceutical industry and the significant role this industry plays in 21st century society.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.