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H10-3 Theodora - Signed Print by Damien Hirst 2022 - MyArtBroker

H10-3 Theodora
Signed Print

Damien Hirst

£2,800-£4,200Value Indicator

$5,500-$8,500 Value Indicator

$5,000-$7,500 Value Indicator

¥26,000-¥40,000 Value Indicator

3,400-5,000 Value Indicator

$27,000-$40,000 Value Indicator

¥530,000-¥790,000 Value Indicator

$3,550-$5,500 Value Indicator

-5% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Giclée print

Edition size: 3315

Year: 2022

Size: H 100cm x W 100cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Damien Hirst's H10-3 Theodora (signed) is estimated to be worth between £2,800 and £4,200. This Giclée print, created in 2022, has an auction history of 11 total sales since its entry to the market on 8th September 2022. Over the past 12 months, the average selling price was £2,022, across 6 sales. In the last five years, the hammer price has varied from £1,205 in October 2024 to £3,351 in December 2024. The average annual growth rate of this artwork is -5%. The edition size of this artwork is limited to 3,315.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
December 2024Dorotheum, Vienna Austria
December 2024Phillips London United Kingdom
November 2024Rosebery's Fine Art Auctioneers United Kingdom
November 2024Bonhams New Bond Street United Kingdom
October 2024Bonhams Los Angeles United States
April 2024Phillips New York United States
December 2023Tate Ward Auctions United Kingdom

Meaning & Analysis

The print is part of Hirst’s collection H-10 The Empresses. The collection is composed of five gliclée prints all of which show intricate patterns composed of red butterflies. This is the only print in the collection which features an asymmetrical pattern. The prints are all named after famous Empresses from various historical periods. This print is named after the Byzantine Empress Theodora who is remembered for implementing a number of significant religious and social policies after marrying Emperor Justinian in 527 CE.

Butterflies appear frequently in Hirst’s artworks. The artist explains that he was drawn to butterflies because of the way in which they retain an iridescent beauty, even in death. Hirst elaborates: “I love butterflies because when they are dead they look alive.” For Hirst butterflies embody the fragility of life and the use of the insect in his artworks is a means for the artist to explore themes of life and death and address questions of mortality.

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