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Proctolin - Signed Print by Damien Hirst 2008 - MyArtBroker

Proctolin
Signed Print

Damien Hirst

£6,000-£9,000Value Indicator

$12,000-$18,000 Value Indicator

$10,500-$16,000 Value Indicator

¥50,000-¥80,000 Value Indicator

7,000-10,500 Value Indicator

$60,000-$90,000 Value Indicator

¥1,150,000-¥1,720,000 Value Indicator

$7,500-$11,000 Value Indicator

1% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 150

Year: 2008

Size: H 76cm x W 95cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Damien Hirst's Proctolin (signed) is estimated to be worth between £6,000 and £9,000. This screenprint, created in 2008, has shown consistent value growth, with an average annual growth rate of 1%. This work has an auction history of 29 total sales since its entry to the market on 22nd September 2010. In the past 12 months, the average selling price was £6,195, across 1 total sale. The edition size of this artwork is limited to 150.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
July 2024Christie's New York United States
November 2019Bonhams New York United States
June 2019Bonhams New Bond Street United Kingdom
April 2019Phillips New York United States
January 2016Phillips London United Kingdom
October 2015Christie's New York United States
July 2015Bonhams New Bond Street United Kingdom

Meaning & Analysis

Hirst’s artistic output is on a large enough scale to justify employing assistants across three different studios and as such, most of the Spots paintings were produced collaboratively. After painting a small number himself, Hirst created a system with a few basic rules that allowed for others to produce the Spots paintings for him. Every spot in each piece is a perfect circle, each the same size, hand-painted and arranged in a grid. The Spots paintings were ultimately about an exploration of colour combinations, with every spot on each canvas a different colour. The series therefore has become a set of works with endless possibilities and combinations.

Hirst has commented on the way in which these paintings are deceptively simple: “If you look closely at any one of these paintings, a strange thing happens: because of the lack of repeated colours there is no harmony. We are used to picking out chords of other colours to create meaning. This can’t happen. So in every painting there is a subliminal sense of unease: the colours project so much joy it’s hard to feel it, but it’s there. The horror underlying everything. The horror that can overwhelm everything at any moment.”

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