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Mannitol - Signed Print by Damien Hirst 2016 - MyArtBroker

Mannitol
Signed Print

Damien Hirst

£14,500-£22,000Value Indicator

$29,000-$45,000 Value Indicator

$26,000-$40,000 Value Indicator

¥130,000-¥200,000 Value Indicator

17,000-26,000 Value Indicator

$140,000-$220,000 Value Indicator

¥2,770,000-¥4,200,000 Value Indicator

$18,000-$28,000 Value Indicator

4% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Woodcut

Edition size: 55

Year: 2016

Size: H 66cm x W 66cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Damien Hirst's Mannitol (signed) is estimated to be worth between £14,500 and £22,000. Over the past five years, the hammer price ranges from £12,000 in January 2021 to £13,340 in May 2024. This woodcut print, created in 2016, has shown consistent value growth, with an average annual growth rate of 4%. This is a rare artwork with an auction history of two sales, the first of which was in January 2021. The edition size of this artwork is limited to 55.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
May 2024Bonhams New York United States
January 2021Phillips London United Kingdom

Meaning & Analysis

Mannitol is one of Hirst’s iconic Spot paintings. Spots have become a signature element of the artist’s visual language and the formation of spots en-masse have become closely associated with the artist’s name. Hirst first started experimenting with spots in 1986 when he painted some loose hand-painted Spots on board. This was followed by his first Spots work on canvas Untitled (with Black Dot) in 1988. Now, Hirst has a team of trained assistants to assist him in the production of the Spots paintings due to their high demand, which marks a turning point in the artist’s career.

In the Spots paintings, Hirst tries to eliminate any trace of human intervention, with the aim that the works appear to have been constructed mechanically, or “by a person trying to paint like a machine.” By imbuing his art with scientific precision, Hirst attempts to blur the boundaries between art and science, demanding that the two disciplines are not seen in opposition with one another.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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