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Cephalothin - Signed Print by Damien Hirst 2007 - MyArtBroker

Cephalothin
Signed Print

Damien Hirst

£7,000-£11,000Value Indicator

$14,000-$22,000 Value Indicator

$12,500-$20,000 Value Indicator

¥60,000-¥100,000 Value Indicator

8,500-13,000 Value Indicator

$70,000-$110,000 Value Indicator

¥1,340,000-¥2,100,000 Value Indicator

$9,000-$14,000 Value Indicator

3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Etching

Edition size: 75

Year: 2007

Size: H 100cm x W 88cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Damien Hirst’s Cephalothin, a signed etching from 2007, is estimated to be worth between £7,000 and £11,000. This artwork has an impressive auction history, having been sold 12 times since its initial sale in April 2009. The average annual growth rate of Cephalothin is 3%. In the last 12 months, the average selling price was £7,500, with a total of 1 sale. Over the past five years, the hammer price has shown steady growth, with an average annual growth rate of 3%. This work is part of a limited edition of 75.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
September 2024Christie's London United Kingdom
December 2017Christie's New York United States
April 2015Phillips New York United States
March 2015Bonhams Knightsbridge United Kingdom
December 2013Ketterer Kunst Hamburg Germany
May 2011Bonhams Knightsbridge United Kingdom
June 2010Phillips New York United States

Meaning & Analysis

The methodical arrangement of spots into a tightly knit mesh, creates a composition that is bright and buzzing. The colour and arrangement appear to be seemingly random and with infinite possibilities in their display. What is notably different about this arrangement is the way in which the spots are composed in a circle, as opposed to a grid. This is indicative of the way in which Hirst explores this theme to its absolute limits, with a plethora of compositional possibilities.

Fascinated by intuitive colour choice from his days at Goldsmiths, Hirst claims that the spot paintings have removed any problems he previously had with colour, allowing him to present a perfect arrangement of colour that is never repeated. Indeed, the Spots paintings represent abstraction reduced to its most basic mechanisms: colour, form and composition. This exploration of abstraction is distinctly Hirstian.

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