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Domino Confido (diamond dust) - Signed Print by Damien Hirst 2009 - MyArtBroker

Domino Confido (diamond dust)
Signed Print

Damien Hirst

£13,000-£19,000Value Indicator

$26,000-$35,000 Value Indicator

$23,000-$35,000 Value Indicator

¥120,000-¥170,000 Value Indicator

15,000-22,000 Value Indicator

$120,000-$180,000 Value Indicator

¥2,490,000-¥3,640,000 Value Indicator

$16,000-$23,000 Value Indicator

7% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 50

Year: 2009

Size: H 74cm x W 72cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Damien Hirst’s Domino Confido (diamond dust) (signed) is estimated to be worth between £13,000 and £19,000. This screenprint has shown consistent value growth, with an auction history of three total sales since its entry to the market in March 2017. Over the past five years, the hammer price has ranged from £9,000 in November 2021 to £11,000 in March 2022. The average annual growth rate of this work is 7%. This work is part of a limited edition of 50.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
March 2022Christie's London United Kingdom
November 2021Tate Ward Auctions United Kingdom
March 2017Christie's London United Kingdom

Meaning & Analysis

The print, made in 2009, is one of 150 works that composed the Psalms series. The series was started in 2008 and each work is made using butterfly wings on painted canvases. The works in the series are all named after a psalm from the Old Testament, emblematic of the way in which Hirst uses his art to question belief systems, such as religion. Hirst enjoys using his art to explore complicated subjects such as death, life, religion, beauty and science. The artist explains: “I am absolutely not interested in tying things down.”

The butterfly has become a staple part of Hirst’s visual language and iconography. Along with skulls and diamonds, the butterfly has become closely associated with the artist’s name. The artist began using butterflies in his work as early as 1989, while he was studying Fine Art at Goldsmiths College and has continued to incorporate them into his works in series such as The Souls series.

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