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Coeli Enarrant (diamond dust) - Signed Print by Damien Hirst 2010 - MyArtBroker

Coeli Enarrant (diamond dust)
Signed Print

Damien Hirst

£4,550-£7,000Value Indicator

$9,000-$14,000 Value Indicator

$8,000-$12,500 Value Indicator

¥40,000-¥60,000 Value Indicator

5,500-8,500 Value Indicator

$45,000-$70,000 Value Indicator

¥870,000-¥1,340,000 Value Indicator

$5,500-$8,500 Value Indicator

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Screenprint

Edition size: 50

Year: 2010

Size: H 61cm x W 61cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Damien Hirst’s Coeli Enarrant (diamond dust) (signed) is estimated to be worth between £4,550 to £7,000. This screenprint, created in 2010, has shown consistent value growth since its first sale on 30th October 2010. This is the 6th time the artwork has been sold at auction. The hammer price over the past five years has ranged from £4,550 to £7,000. The average annual growth rate of this work is 2%. The edition size of this artwork is limited to 50.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
February 2023Forum Auctions London United Kingdom
June 2016Bonhams New York United States
November 2015Sotheby's New York United States
October 2015Christie's New York United States
July 2011Christie's New York United States
October 2010Sotheby's New York United States

Meaning & Analysis

The print, produced in 2010, is part of the artist’s Psalms series. The series was started in 2008 and is composed of 150 works. Each print in the series is made using butterfly wings on painted canvases and every print is named after a psalm from the Old Testament. Religion is a theme that is often explored in Hirst’s artworks, and the artist is known for producing art that breaks boundaries and explores the relationships between art, science, religion, death and beauty.

Alongside skulls and diamonds, butterflies are a crucial part of Hirst’s central iconography. Hirst was drawn to the insect due to their embodiment of the fragility of life and the way in which they retain an iridescent beauty, even in death. As well as the Kaleidoscope series, which is composed of various artworks, all of which are based on butterflies arranged in circular patterns, Hirst also uses butterflies in his series, The Souls, from 2010.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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