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Round - Signed Print by Damien Hirst 2002 - MyArtBroker

Round
Signed Print

Damien Hirst

£3,900-£6,000Value Indicator

$8,000-$12,000 Value Indicator

$7,000-$11,000 Value Indicator

¥35,000-¥50,000 Value Indicator

4,700-7,000 Value Indicator

$40,000-$60,000 Value Indicator

¥740,000-¥1,130,000 Value Indicator

$4,950-$7,500 Value Indicator

13% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Etching

Edition size: 68

Year: 2002

Size: H 92cm x W 71cm

Signed: Yes

Format: Signed Print

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The value of Damien Hirst's Round (signed) is estimated to be worth between £3,900 to £6,000. This etching print from 2002 is a rare artwork, with an auction history of two sales since its entry to the market on 13th September 2017. The edition size of this artwork is limited to 68.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
December 2017Bonhams New Bond Street United Kingdom
September 2017Sotheby's Online United Kingdom

Meaning & Analysis

As the title of the portfolio suggests, this print is based on Hirst’s series of famous works that have come to be known as the spin paintings. To create these paintings Hirst stands on a ladder and throws paint onto large circular canvases that are attached to a rotating spin machine.

The original spin paintings began as a collaboration between Hirst and Angus Fairhurst in the event ‘A Fete Worse than Death,’ and the curator Gregor Muir has recalled: “Using an inverted electric drill and a piece of wood onto which they could fasten sheets of paper, Fairhurst and Hirst set up a spin painting stall – an idea borrowed from a once popular children’s game using painting and an old record player cranked up to 78rpm. A spin painting cost £1 to produce and was signed by both artists on the reverse. In Hirst’s case, the idea proved too useful to be left behind, resulting in his subsequent ‘Spin Paintings’.”

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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