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Global A-Go-Go (For Joe) - Signed Print by Damien Hirst 2002 - MyArtBroker

Global A-Go-Go (For Joe)
Signed Print

Damien Hirst

£10,000-£15,000Value Indicator

$20,000-$30,000 Value Indicator

$18,000-$27,000 Value Indicator

¥90,000-¥140,000 Value Indicator

12,000-18,000 Value Indicator

$100,000-$150,000 Value Indicator

¥1,920,000-¥2,880,000 Value Indicator

$12,500-$19,000 Value Indicator

5% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Intaglio

Edition size: 68

Year: 2002

Size: H 70cm x W 67cm

Signed: Yes

Format: Signed Print

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The value of Damien Hirst's Global A-Go-Go (For Joe) (signed) is estimated to be worth between £10,000 and £15,000. This intaglio print was created in 2002 and has an auction history of three total sales since its entry to the market on 20th October 2004. The edition size of this artwork is limited to 68.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
April 2018Sotheby's London United Kingdom
November 2015Lempertz, Cologne Germany
October 2004Christie's London United Kingdom

Meaning & Analysis

Global A-Go-Go is directly related to Hirst’s famed spin paintings, produced with a rotating canvas attached to a spin machine, onto which he poured paint. This series of etchings was produced with copper plates attached to the machine with the spiral lines drawn with needles, screwdrivers, and other sharp tools as they spun. The process of creating these works became a performance-like ritual that continued for numerous days.

The title of this print refers to Hirst’s friend, Joe Strummer, a member of the famous UK rock band the Clash, who died in December 2002, just over a year after releasing his album Global A-Go-Go. The circular patterns that form the basis of this series of etchings are reminiscent of grooved vinyl LPs and are indicative of Hirst’s enthusiasm for contemporary music.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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