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H1-11 Enter The Infinite - Prophecy - Tapestry by Damien Hirst 2016 - MyArtBroker

H1-11 Enter The Infinite - Prophecy
Tapestry

Damien Hirst

Price data unavailable

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Tapestry

Edition size: 20

Year: 2016

Size: H 25cm x W 25cm

Signed: No

Format: Tapestry

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Track auction value trend

The value of Damien Hirst's H1-11 Enter The Infinite - Prophecy (unsigned) is estimated to be worth between £40,000 and £60,000. This tapestry artwork, created in 2016, has shown consistent value growth since its first sale in February 2024. There have been 1 sale in the last 12 months and an auction history of 1 sale. Over the past five years, the average annual growth rate of this work is 6%. This work is part of a limited edition of 20.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
February 2024Phillips London United Kingdom

Meaning & Analysis

This tapestry is one of twelve tapestries which were all produced by Hirst in 2016 using a Jacquard loom. Together, the tapestries are part of Hirst’s Enter The Infinite collection. Each tapestry in the collection follows a similar colour scheme and Hirst does not once deviate from using the same four colours: red, yellow, blue and green. The tapestries all have a unique pattern that is governed by symmetry.

The titles of the tapestries in this collection carry strong spiritual and religious undertones. Hirst is interested in contemporary belief systems such as religion, love and medicine and often explores them in his artworks, such as he does in Enter The Infinite. For Hirst, these belief systems could bring out the tensions at the heart of human existence, something which fascinated the artist.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.