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Skull With Ashtray And Lemon - Signed Print by Damien Hirst 2009 - MyArtBroker

Skull With Ashtray And Lemon
Signed Print

Damien Hirst

Price data unavailable

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Screenprint

Edition size: 100

Year: 2009

Size: H 46cm x W 37cm

Signed: Yes

Format: Signed Print

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The value of Damien Hirst's Skull With Ashtray And Lemon (signed) is estimated to be worth between £50,000 and £80,000. This screenprint, created in 2009, has shown consistent value growth since its first sale in March 2019. This is a rare artwork with an auction history of one sale. The edition size of this artwork is limited to 100.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
March 2019Christie's London United Kingdom

Meaning & Analysis

Skull With Ashtray And Lemon is a unique print in Hirst’s oeuvre. It is indicative of his persistent interest in skulls, but uses the memento mori in a novel way: one need only to look to Hirst’s For The Love Of God sculpture, produced in 2007, to see that he had continually explored the theme of the skull. In this print it seems a bit more sinister. The skull, a symbol of death, is pared with an ashtray – again a symbol of illness and decay. The lemon provides ambiguity. Whilst it is a bitter fruit, its colour here contrasts with the rest of the print.

This is a print of a painting of the same name that Hirst produced in 2007. The painting, he suggests, expresses his sense of mortality. In an interview with Time Out in October 2009, Hirst stated that he could “quitetly express those things in paintings, but there was no way I could express that in a spin or a spot and it was stratting to gnaw away at me”. In response, the artist produced these types of works. As Hirst stated, this painting and art more generally “is a great way to look at the darkness without having to look at it directly”.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.