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Untitled, Oval Image - Signed Print by Bridget Riley 1964 - MyArtBroker

Untitled, Oval Image
Signed Print

Bridget Riley

£60,000-£90,000Value Indicator

$120,000-$180,000 Value Indicator

$110,000-$160,000 Value Indicator

¥550,000-¥830,000 Value Indicator

70,000-110,000 Value Indicator

$590,000-$880,000 Value Indicator

¥11,350,000-¥17,020,000 Value Indicator

$80,000-$110,000 Value Indicator

18% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 50

Year: 1964

Size: H 75cm x W 34cm

Signed: Yes

Format: Signed Print

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Bridget Riley's Untitled, Oval Image (signed), a screenprint from 1964, is estimated to be worth between £60,000 and £90,000. This work has shown consistent value growth, with an average annual growth rate of 18%. This is a rare artwork with an auction history of three total sales since its entry to the market in March 2004. In the last 12 months, the average selling price was £65,000, with the most recent sale taking place during this period. The edition size of this artwork is limited to 50.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
June 2024Phillips London United Kingdom
June 2010Stair Galleries United States
March 2004Bonhams New Bond Street United Kingdom

Meaning & Analysis

This print is one of the earlier works made by Riley, created before the artist had achieved critical, international acclaim. Riley rose to fame following a display of several of her black and white prints, much like Untitled, Oval Image. The works were displayed at the Museum of Modern Art in New York in 1965 as part of their Representative Eye exhibition. People were captivated by Riley’s use of black and white and the way in which the artist was able to produce optically dazzling, psychedelic works which, at times, seemed like optical illusions.

Riley’s early works are characterised by a limited colour palette, with the artist privileging black and white. When seen alongside some of Riley’s later works, this print captures the development of Riley’s visual language and artistic style. Riley began experimenting with colour in the late 1960s and the artist became fascinated with the way in which colour can have an impact on perceptions and emotions. Unlike her early works, colour is an important element of Riley’s later artistic endeavours.