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Medium: Screenprint
Edition size: 150
Year: 1971
Size: H 60cm x W 45cm
Signed: Yes
Format: Signed Print
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Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
May 2024 | Cottone Auctions | United States | |||
December 2023 | Bonhams New Bond Street | United Kingdom | |||
November 2023 | Swann Galleries | United States | |||
July 2022 | Wotton Auction Rooms | United Kingdom | |||
May 2022 | Millea Bros. | United States | |||
October 2021 | Wright | United States | |||
June 2021 | Phillips London | United Kingdom |
Print For Chicago 8 is a signed screen print produced by Op artist Bridget Riley in 1971. The print depicts a composition of successive vertical stripes. Riley renders the stripes using a careful selection of bright colours which results in a distinct and optically vibrant print. Pink, orange, turquoise and white are used in this print which makes this work contrast with Riley’s earlier pieces which privilege a limited colour palette of black and white.
The print belongs to the Stripes collection which captures Riley’s interest in opticality. The collection is composed of prints which depict geometric patterns of vertical, horizontal or diagonal stripes. Riley started the Stripes collection in 1971 and Print For Chicago 8 was one of the first works that Riley created in this series. The simple patterns in these prints echo Riley’s philosophy that complexity lurks beneath the surface of simplicity. The print encourages the viewer to pay close attention to what they are looking at in order to find a deeper significance in the work.
Riley rose to fame in the 1960s with her captivating black and white paintings. The artist started to experiment with colour in 1967 and Print For Chicago 8 reflects the artist’s keen interest in how colour can expand the perceptual and optical possibilities of a composition.
Bridget Riley, a leading figure in the British Op-Art movement, has captivated audiences with her abstract paintings and prints that challenge visual perception. Born in London, 1931, Riley’s artistic journey evolved from semi-Impressionist beginnings to geometric mastery, significantly influencing modern art. Her groundbreaking artworks, from Movement In Squares to the vibrant Stripes series, explore optical phenomena and colour dynamics, creating mesmerising, dizzying effects. With a prolific career spanning over seven decades, Riley’s innovative designs and perceptual disruptions continue to shape contemporary British art, solidifying her enduring influence in the realm of abstract and modern art.