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La Lune En Rodage - Signed Print by Bridget Riley 1965 - MyArtBroker

La Lune En Rodage
Signed Print

Bridget Riley

£12,500-£19,000Value Indicator

$25,000-$40,000 Value Indicator

$22,000-$35,000 Value Indicator

¥110,000-¥170,000 Value Indicator

15,000-23,000 Value Indicator

$120,000-$190,000 Value Indicator

¥2,360,000-¥3,590,000 Value Indicator

$16,000-$24,000 Value Indicator

11% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 200

Year: 1965

Size: H 30cm x W 29cm

Signed: Yes

Format: Signed Print

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Track auction value trend

Bridget Riley's La Lune En Rodage (signed), a screenprint from 1965, is estimated to be worth between £12,500 and £19,000. This artwork has shown consistent value growth, with an average annual growth rate of 11%. Over the past 12 months, the average selling price was £11,609, across 2 total sales. This work has a strong auction history, having been sold 32 times since its entry to the market in December 2012. The edition size of this artwork is limited to 200.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
November 2024Grisebach Germany
June 2024Sotheby's Online United Kingdom
December 2023Bonhams New Bond Street United Kingdom
June 2023Phillips London United Kingdom
March 2023Sotheby's Online United Kingdom
September 2022Sotheby's London United Kingdom
March 2022Sotheby's London United Kingdom

Meaning & Analysis

Enacted with geometrical precision, Riley creates compelling visual effects that play with one’s vision and implore the viewer to question what they are looking at. During her career, Riley has experimented with simple, structural units in varying configurations, to explore the physical and psychological responses of the eyes. Throughout this, Riley’s artistic motivation has remained the same: to interrogate what and how we see things. La Lune En Rodage is, if anything, abundantly aware of being nothing more than the geometry of the paper’s flat surface.

Executed in 1965, this work is from a critical period in Riley’s decades-long career. Following the artist’s inclusion in The Responsive Eye, an exhibition at the Museum of Modern Art in New York, Riley gained international acclaim for exclusively monochromatic works that played optical tricks on the eye: of which La Lune En Rodage is a prime example.