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Dedication Visual Arts Building Albion College - Signed Print by Bridget Riley 1966 - MyArtBroker

Dedication Visual Arts Building Albion College
Signed Print

Bridget Riley

£5,500-£8,000Value Indicator

$11,000-$16,000 Value Indicator

$10,000-$14,500 Value Indicator

¥50,000-¥70,000 Value Indicator

6,500-9,500 Value Indicator

$50,000-$80,000 Value Indicator

¥1,040,000-¥1,510,000 Value Indicator

$7,000-$10,000 Value Indicator

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Lithograph

Edition size: 100

Year: 1966

Size: H 91cm x W 63cm

Signed: Yes

Format: Signed Print

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Bridget Riley's Dedication Visual Arts Building Albion College, a lithograph print from 1966, is estimated to be worth between £5,500 and £8,000. This artwork, signed by the artist, has been sold 4 times at auction since its initial sale on 10th October 2007. The current average annual growth rate is not available. The hammer price for this work has ranged from £1,484 in May 2016 to £1,976 in April 2018. The edition size of this artwork is limited to 100.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
June 2022Quinn's Auction Galleries United States
April 2019Rosebery's Fine Art Auctioneers United Kingdom
January 2015Skinner, Boston United States
October 2007Doyle Auctioneers & Appraisers United States

Meaning & Analysis

This lithograph, much like Riley’s entire oeuvre, is the result of lengthy mathematical preparatory sketching. Thus, there is both a method and rhythm to the seeming chaos. The poster advertises a lecture relating to the exhibition, Art Of Two Cities, Kansas - Minneapolis, at Albion College, in the USA. This print was released following the 1965 The Responsive Eye exhibition at the Museum of Modern Art, New York, which included the work of Riley, and propelled the British artist to international fame. Her optically dazzling works captured the public consciousness, who were captivated by their dizzying, unstabling effects. Just two years later, in 1968, Riley would be awarded the International Painting Prize at the Venice Biennale. Therefore, this lithograph represents a pivotal moment in Riley’s career, following which she would go on to continuously re-define modern painting.