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Soup Can (pink, cherry and blue) - Signed Print by Banksy 2005 - MyArtBroker

Soup Can (pink, cherry and blue)
Signed Print

Banksy

£35,000-£50,000Value Indicator

$70,000-$100,000 Value Indicator

$60,000-$90,000 Value Indicator

¥320,000-¥460,000 Value Indicator

40,000-60,000 Value Indicator

$340,000-$490,000 Value Indicator

¥6,620,000-¥9,450,000 Value Indicator

$45,000-$60,000 Value Indicator

59% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 10

Year: 2005

Size: H 50cm x W 35cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Banksy's Soup Can (pink, cherry and blue) (signed) is estimated to be worth between £35,000 and £50,000. This screenprint, created in 2005, has shown consistent value growth, with an impressive average annual growth rate of 51%. This work has an auction history of one sale, which took place on 29th March 2023. The edition size of this artwork is limited to 10.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
March 2023Tate Ward Auctions United Kingdom

Meaning & Analysis

Banksy's Soup Can (pink, cherry and blue) is a vibrant screenprint that echoes the Pop Art movement initiated by Andy Warhol. By substituting Campbell's soup with a Tesco value can, Banksy critiques consumerism and brand culture. This 2005 edition, limited to ten signed prints, is a testament to Banksy's wit and artistic prowess. The piece uses bold colours - pink, cherry, and blue - to draw attention and provoke thought. The juxtaposition of the mundane and the artistic elevates the ordinary into a subject of reflection. Banksy’s work often challenges societal norms, and this piece is no exception, inviting viewers to question the value placed on brands and consumer goods. This print is not only a homage to Warhol but also a continuation of Banksy’s exploration of capitalism and its cultural implications.

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