£100,000-£150,000Value Indicator
$170,000-$260,000 Value Indicator
$160,000-$250,000 Value Indicator
¥830,000-¥1,250,000 Value Indicator
€110,000-€170,000 Value Indicator
$970,000-$1,450,000 Value Indicator
¥16,040,000-¥24,060,000 Value Indicator
$120,000-$180,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Screenprint
Year: 2006
Signed: Yes
Format: Signed Print
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Morons (LA edition, AP) is a screenprint created by Banksy in 2006-2007. It portrays an auction scene where a framed piece of text humorously critiques frenzied bidders. This work is a part of Banksy's Barely Legal series, showcasing his satirical approach to the art market and consumerism.
This artwork exemplifies Banksy’s signature satirical style, depicting an auctioneer and attendees engrossed in a sale. The focal point is a framed piece with the text, “I can't believe you morons actually buy this shit,” which mocks the art market's perceived absurdity. Rendered in a monochrome palette, the screenprint uses bold lines and stark contrasts, typical of Banksy's stencil technique. Morons critiques not only the commodification of art but also echoes the historical moment when Van Gogh's Sunflowers was sold for a record-breaking sum. This piece is a critical commentary on the art world's elitism, fitting seamlessly into Banksy's oeuvre known for its sharp wit and social critique. Published by Modern Multiples Fine Art Editions in Los Angeles, this edition is both a collector’s item and a cultural statement, reflecting Banksy’s impact on contemporary art discourse.
Renowned British street artist, Banksy, is the enigmatic figure behind some of the most subversive works in the Urban Art scene. Despite his anonymity, the artists' disruptive stunts have not only gained him notoriety, but they have vocalised his stance on many social and political issues. As seen with the likes of Girl With Balloon and Napalm, Banksy uses his distinctive stencil technique to produce thought-provoking commentaries on challenging themes. The showcase of rebellion that lines his work has caused his secondary market value to soar in recent years, propelling him to the top of the Urban Art scene.