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Sex Parts (F. & S. II.177) - Signed Print by Andy Warhol 1978 - MyArtBroker

Sex Parts (F. & S. II.177)
Signed Print

Andy Warhol

£4,100-£6,000Value Indicator

$8,000-$12,000 Value Indicator

$7,500-$11,000 Value Indicator

¥40,000-¥60,000 Value Indicator

4,950-7,500 Value Indicator

$40,000-$60,000 Value Indicator

¥780,000-¥1,130,000 Value Indicator

$5,000-$7,500 Value Indicator

-6% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 30

Year: 1978

Size: H 80cm x W 60cm

Signed: Yes

Format: Signed Print

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The value of Andy Warhol’s Sex Parts (F. & S. II.177) (signed) is estimated to be worth between £4,100 and £6,000. This screenprint, created in 1978, has an auction history of four total sales since its entry to the market on 9th May 2023. Over the past five years, the hammer price has ranged from £3,822 in February 2024 to £7,155 in December 2023. The artwork has shown an average annual growth rate of -6%. The edition size of this work is limited to 30.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
February 2024Rago United States
December 2023Wright United States
June 2023Rago United States
May 2023Bonhams New York United States

Meaning & Analysis

Sex Parts (F. & S. II.177) is part of Warhol’s Sex Parts collection. Each print in the collection shows two figures engaged in sexual activity, often the figures are performing oral or anal sex.

As well as Warhol’s Sex Parts collection, the artist also produced various nudes earlier on in his artistic career in the 1950s. Warhol’s friend and collaborator, Vincent Fremont, explains that Warhol “always got people to take their clothes off” and seemed fascinated with the nude male form. Warhol’s nudes were never exhibited in public, arguably because Warhol was aware of how conservative the art world was and that these images would not be popular with museums or art collectors.

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