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Kiku (F. & S. II.308) - Signed Print by Andy Warhol 1983 - MyArtBroker

Kiku (F. & S. II.308)
Signed Print

Andy Warhol

£16,000-£24,000Value Indicator

$30,000-$50,000 Value Indicator

$29,000-$45,000 Value Indicator

¥150,000-¥220,000 Value Indicator

19,000-29,000 Value Indicator

$160,000-$240,000 Value Indicator

¥3,060,000-¥4,590,000 Value Indicator

$20,000-$30,000 Value Indicator

21% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 300

Year: 1983

Size: H 50cm x W 66cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Andy Warhol's Kiku (F. & S. II.308) (signed) is estimated to be worth between £16,000 to £24,000. This screenprint has shown consistent value growth, with an average annual growth rate of 21%. Over the past 12 months, the average selling price was £16,522, across 3 total sales. In the last five years, the hammer price has ranged from £13,041 in October 2020 to £18,146 in April 2024. This work has an auction history of 15 total sales since its entry to the market in November 1998. The edition size of this artwork is limited to 300.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
April 2024Heffel Online Canada
March 2024Bonhams Los Angeles United States
March 2024Forum Auctions London United Kingdom
October 2020Sotheby's New York United States
April 2017Hampel Fine Art Auctions Germany
October 2012Christie's New York United States
October 2011Christie's New York United States

Meaning & Analysis

Kiku (F. & S. II.308) contrasts with Warhol’s earlier iterations of flower subjects as it exhibits a peaceful, elegant atmosphere and is created on a much smaller scale so as to adhere to conventional Japanese living spaces. As well as symbolising the Japanese Emperor, the chrysanthemum is representative of longevity, rejuvenation and the autumn season. This is reflected in Warhol’s harmonising colour choice of blue, pink, grey, orange and red and emphasis on hand drawn lines that overpower the photographic element of this piece.

First visiting Japan in 1956 whilst travelling around the world, Warhol returned for a second time in 1974 for a solo exhibition at the Daimaru Department Store. This series is indicative of Warhol’s global influence and that he was much admired by Japanese collectors and gallerists.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.