The World's Largest Modern & Contemporary Prints & Editions Platform
Cologne Cathedral - Signed Print by Andy Warhol 1985 - MyArtBroker

Cologne Cathedral
Signed Print

Andy Warhol

Price data unavailable

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 60

Year: 1985

Size: H 125cm x W 104cm

Signed: Yes

Format: Signed Print

TradingFloor

8 want this
Find out how Buying or Selling works.
Track this artwork in realtime

Watch artwork, manage valuations, track your portfolio and return against your collection

Meaning & Analysis

The print is part of the Cologne Cathedral collection, a series of four prints, all of which depict the famous cathedral. While the prints all capture the cathedral from the same front-on angle, they vary in colour and level of detail. In this print, Warhol uses a variety of bright and vibrant crayon-like lines to delineate the building and its Gothic architecture. The pink, yellow and red lines are set against a bright turquoise backdrop. Cologne Cathedral is the most dynamic print of the collection in terms of colour used and contrasts markedly with Cologne Cathedral (F. & S. II.364) in which Warhol uses a restricted palette of grey tones.

Warhol simplifies the details of the cathedral through the screen printing process and in doing so draws attention to the form of the building and its general beauty.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.