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Cologne Cathedral (F. & S. II.363) - Signed Print by Andy Warhol 1985 - MyArtBroker

Cologne Cathedral (F. & S. II.363)
Signed Print

Andy Warhol

£22,000-£35,000Value Indicator

$45,000-$70,000 Value Indicator

$40,000-$60,000 Value Indicator

¥200,000-¥320,000 Value Indicator

27,000-40,000 Value Indicator

$220,000-$340,000 Value Indicator

¥4,210,000-¥6,700,000 Value Indicator

$28,000-$45,000 Value Indicator

7% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 60

Year: 1985

Size: H 100cm x W 79cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Andy Warhol's Cologne Cathedral (F. & S. II.363) (signed) is estimated to be worth between £22,000 and £35,000. This screenprint, created in 1985, has an auction history of two total sales since its entry to the market in June 2014. There have been no sales in the last 12 months or the last five years. The edition size of this artwork is limited to 60.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
November 2019Van Ham Fine Art Auctions Germany
June 2014Ketterer Kunst Hamburg Germany

Meaning & Analysis

This print is part of a series of four screen prints, all of which depict the Roman Catholic Church in Cologne, Germany. The prints all show the same angle of the church yet vary in the colours used in the compositions. The church tends to be rendered in bright and bold colours, however Cologne Cathedral (F. & S. II.364) stands out due to the dark colours privileged in the print. The cathedral is Germany’s most visited landmark and is famous for housing the reliquary of the Three Kings.

Rendering the cathedral using bold colours and sketch-like lines means the cathedral becomes unrecognisable. It is difficult for the viewer of this print to identify the building without knowing the print’s name. Warhol intentionally does this to show how his Pop Art style can be used to significantly redefine the cathedral and transform its Gothic architecture.