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Hammer And Sickle (F. & S. II.63) - Signed Print by Andy Warhol 1977 - MyArtBroker

Hammer And Sickle (F. & S. II.63)
Signed Print

Andy Warhol

£12,000-£18,000Value Indicator

$24,000-$35,000 Value Indicator

$21,000-$30,000 Value Indicator

¥110,000-¥170,000 Value Indicator

14,500-22,000 Value Indicator

$120,000-$180,000 Value Indicator

¥2,300,000-¥3,450,000 Value Indicator

$15,000-$23,000 Value Indicator

-6% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 50

Year: 1977

Size: H 76cm x W 102cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Andy Warhol’s Hammer And Sickle (F. & S. II.63) (signed) is estimated to be worth between £12,000 and £18,000. This screenprint, created in 1977, has shown consistent value growth, with an average annual growth rate of 5%. This work has an auction history of four sales since its entry to the market on 26th October 2011. In the last 12 months, the hammer price has ranged from £11,403 in May 2023 to £12,907 in December 2024. The edition size of this artwork is limited to 50.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
December 2024Wright United States
May 2023Sotheby's Paris France
April 2012Christie's New York United States
October 2011Christie's New York United States

Meaning & Analysis

This print demonstrates Warhol’s unrivalled ability in addressing ideological, historical and social issues within one striking image repeated across a series. Using the classic colours of Soviet propaganda – shades of red, yellow, white and black on this print – Warhol strips the communist hammer and sickle symbol of its origins and transforms it into an aestheticized consumerist object. Just as Warhol had done with his Mao series (1972), he directly compares the controlled propagation of official images in communist countries to the American capitalist machine of consumerism, fashion kitsch and advertising.

With the help of his assistant Robbie Cuttrone, Warhol created the still life with tools bought from a hardware shop, arranging and then photographing them. The resulting image is produced by layering blocks of flat colour with crayon-like lines overlain on the image surface.