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Grapes (F. & S. II.192) - Signed Print by Andy Warhol 1979 - MyArtBroker

Grapes (F. & S. II.192)
Signed Print

Andy Warhol

£24,000-£35,000Value Indicator

$50,000-$70,000 Value Indicator

$45,000-$60,000 Value Indicator

¥220,000-¥320,000 Value Indicator

29,000-40,000 Value Indicator

$240,000-$340,000 Value Indicator

¥4,590,000-¥6,700,000 Value Indicator

$30,000-$45,000 Value Indicator

41% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Screenprint

Edition size: 50

Year: 1979

Size: H 102cm x W 76cm

Signed: Yes

Format: Signed Print

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Meaning & Analysis

Grapes (F. & S. II.192) is part of the Grapes series, composed of six prints, each of which depicts grapes with a unique colour composition and arrangement. This series reflects Warhol’s interest in the still life genre which marked many of the prints he made in the 1970s. Other series such as Gems and Flowers similarly capture Warhol’s interest in still life subjects. While still life images tend to favour realism, Warhol subverts the expectations of the genre by combining the traditional still life subject- fruit- with his Pop Art aesthetic. Warhol transforms this everyday fruit into an exciting and vibrant print.

The print has a collage-like feel to it due to the geometric colour blocks that compose the backdrop against which the grapes are drawn. Grapes (F. & S. II.192) features Warhol’s signature hand-drawn lines which the artist used to delineate the shape of the grapes, showcasing his excellent draughtsmanship. The emphasis on gestural lines resonates with Warhol’s early career as a freelance illustrator in which he drew similarly everyday objects for fashion magazines such as Glamour, Vogue and Harper’s Bazaar.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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