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Viewpoint - Signed Print by Andy Warhol 1984 - MyArtBroker

Viewpoint
Signed Print

Andy Warhol

Price data unavailable

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Lithograph

Edition size: 20

Year: 1984

Size: H 102cm x W 76cm

Signed: Yes

Format: Signed Print

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The value of Andy Warhol’s signed lithograph Viewpoint is estimated to be worth between £30,000 and £50,000. This artwork has an auction history of one sale on 18th April 2019. There have been no sales in the last 12 months. The edition size of this artwork is limited to 20.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
April 2019Christie's New York United States

Meaning & Analysis

The print was made towards the end of Warhol’s artistic career and the artist died three years after producing this print. Viewpoint marks a significant turn in the artist’s visual style and his experimentation with patterns of colour blocking. In many of Warhol’s later works, the artist produced prints in which blocks of colour are applied uniformly or diagonally over a drawn image, as is seen in Viewpoint and other prints such as Jean Cocteau (1985).

Viewpoint differs in subject matter to many of Warhol’s earlier prints which explore themes of celebrity culture, fame and consumerism. Warhol is arguably best known for his portraits of American stars like Marilyn Monroe and Elvis Presley, as well as his commercial illustrations of consumer goods like high heel shoes, items of jewellery and handbags.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.