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I Loved My Innocence - Signed Print by Tracey Emin 2020 - MyArtBroker

I Loved My Innocence
Signed Print

Tracey Emin

£3,050-£4,550Value Indicator

$6,500-$9,500 Value Indicator

$5,500-$8,500 Value Indicator

¥30,000-¥45,000 Value Indicator

3,550-5,500 Value Indicator

$30,000-$45,000 Value Indicator

¥580,000-¥870,000 Value Indicator

$4,050-$6,000 Value Indicator

32% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Lithograph

Edition size: 200

Year: 2020

Size: H 60cm x W 76cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Tracey Emin's I Loved My Innocence (signed) is estimated to be worth between £3,050 and £4,550. This lithograph print, created in 2020, has shown consistent value growth, with an average annual growth rate of 30%. Over the past 12 months, there have been 6 sales, with an auction history demonstrating the potential for value increase. The hammer price over the last five years has ranged from £2,000 in July 2021 to £4,307 in March 2021. This work is somewhat rare, having an auction history of 6 total sales since its entry to the market in February 2020. The edition size of this artwork is limited to 200.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
June 2023Phillips London United Kingdom
March 2022Rosebery's Fine Art Auctioneers United Kingdom
July 2021Forum Auctions London United Kingdom
June 2021Phillips London United Kingdom
March 2021Whyte's Ireland
February 2020Tate Ward Auctions United Kingdom

Meaning & Analysis

Born in Croydon, south London, British artist Tracey Emin was brought up in Margate, on the coast of Kent. Her parents never married as her father had a whole other separate and legally binding family elsewhere.

The artist’s work takes refuge in her art to deal with past and present obstacles, exploring the twists and turns of Emin’s personal life. Stylistically, the primary source of inspiration for the artist’s Childhood grouping are expressionist masters Edvard Munch and Egon Schiele. Their legacies offer an attractive element of catharsis for the intimate and confrontational nature of Emin’s creations. This collection of artworks has utilised two methods that command the strongest associations of domesticity and the feminine; the drawn and the embroidered.

I Love My Innocence of 2019 is a delicate lithograph that articulates themes of physical and emotional change. The work reflects on the simultaneous joy and suffering that is intrinsic to human existence. Through her honest and energetic lines, Emin powerfully inscribes her sketched composition with ambiguous emotion and memory. Portraying her own naked body, the illustration envelops feelings of naivety, betrayal and recovery, neatly packaged within the gestural conventions of figuration. Emin in this work also connects with a vast art historical legacy of modernist angst and the heightened sexuality of the female form.