Luis
Tomasello

Tomasello began his artistic journey as a Concrete artist, drawing inspiration from Mondrian’s geometric abstraction. After moving to Paris in 1957, however, Tomasello’s focus shifted from strict linearity to exploring depth and light through relief. This transition marked a turning point in his career, as he experimented with form and colour reflections on surfaces, saying, 'I went to relief as an experience and in that process, I discovered the wonderful world of light'. From then on, the interplay of light and color reflection became a defining element of his work, shaping his contributions to Kinetic and Op Art.

Tomasello's exploration of light is central to his work. He utilised light as a dynamic element that interacts with his geometric forms. This approach invites viewers to engage with the artwork from different angles, creating a sense of movement and transformation. His Lumières Noires series exemplifies this approach, showcasing how light can alter perception and invite active engagement.

Tomasello believed in the artist's role as a mediator between the viewer and the artwork. His installations often invite participation, fostering a dialogue that plays into the interactive nature of his works. This perspective aligns with the Kinetic Art movement, which incorporates real or perceived movement, often using mechanical or optical techniques to engage viewers and create dynamic visual experiences.