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Berwick Upon Tweed - Signed Print by L S Lowry 1973 - MyArtBroker

Berwick Upon Tweed
Signed Print

L S Lowry

£9,000-£15,000Value Indicator

$18,000-$30,000 Value Indicator

$17,000-$28,000 Value Indicator

¥80,000-¥140,000 Value Indicator

11,000-18,000 Value Indicator

$90,000-$150,000 Value Indicator

¥1,750,000-¥2,910,000 Value Indicator

$11,500-$19,000 Value Indicator

-12% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Lithograph

Edition size: 650

Year: 1973

Size: H 56cm x W 43cm

Signed: Yes

Format: Signed Print

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32 in network
14 want this
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Track auction value trend

The value of L S Lowry's Berwick Upon Tweed (signed) is estimated to be worth between £9,000 and £15,000. This lithograph print, created in 1973, has shown consistent value growth since its first sale in October 2006. The hammer price over the past 12 months has ranged from £2,800 in November 2024 to £8,500 in October 2021. This work has an auction history of 23 total sales and demonstrates an average annual growth rate of -12%. The edition size of this artwork is limited to 650.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
December 2024Forum Auctions London United Kingdom
December 2024Mallams, Oxford Saleroom United Kingdom
December 2024Bonhams Knightsbridge United Kingdom
November 2024Forum Auctions London United Kingdom
November 2024Rosebery's Fine Art Auctioneers United Kingdom
September 2024David Duggleby Ltd United Kingdom
August 2024Toovey's United Kingdom

Meaning & Analysis

Lowry was a regular visitor to Berwick-upon-Tweed, a town in Northumberland, producing more than 30 paintings and drawings of the town. This depiction of the town is typical of Lowry’s stylised realism, with a cluster of his ‘matchstick-men’ populating the foreground of the print. Berwick Upon Tweed is a casual scene, showing the figures going about their daily business; chatting in groups, walking their dogs, and taking a trip to the shops.

Much like many of Lowry’s town scenes, this print is depicted in a limited palette of muted colours. Elements of humour and caricature can be seen in the print, but Berwick Upon Tweed is largely characterised by what art historian John Rothenstein called “a kind of gloomy lyricism.” Lowry often claimed to use just five colours in his paintings, vermillion, ivory black, Prussian blue, yellow ochre and flake white.

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