Cars
Cars
Signed Print
Julian Opie
£2,300-£3,500
$4,600-$7,000 Value Indicator
$4,200-$6,500 Value Indicator
¥21,000-¥30,000 Value Indicator
€2,800-€4,250 Value Indicator
$23,000-$35,000 Value Indicator
¥450,000-¥680,000 Value Indicator
$2,950-$4,450 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 40
Year: 1999
Size: H 61cm x W 105cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| January 2024 | Phillips London | United Kingdom | |||
| December 2021 | Sotheby's New York | United States | |||
| June 2004 | Bonhams New Bond Street | United Kingdom |
Meaning & Analysis
Cars is a signed screen print made by the renowned British artist Julian Opie in 1999. Coming in an edition size of 40 the print shows three cars in motion that appear to be zooming across the composition. The cars are depicted in a simple style and they lack any identifying detail as to what make they are. The cars are rendered in bright, flat colours with red, white and yellow dominating the print. The three vehicles are captured driving down a large road, however Opie does not add any road signs, meaning it is impossible to locate where the cars are driving.
Cars is one of a series of six screen prints produced by Opie from 1998-1999. The prints belong to his Cars? Collection which was printed by Advanced Graphics and published by the Alan Cristea Gallery in London which published many other collections by the artist, including Nature 2.
The prints in Opie’s Cars? collection were all made from hand-cut stencils and based on photographs taken by the artist which he then altered using a computer. The subjects of the Cars? prints resonate with many of the other artworks produced by Opie in the mid 1990s which capture the artist’s fascination with modern life and desire to represent the mundane and quotidian.