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Love Conquers Nothing - Signed Print by Harland Miller 2011 - MyArtBroker

Love Conquers Nothing
Signed Print

Harland Miller

£4,700-£7,000Value Indicator

$9,500-$14,500 Value Indicator

$9,000-$13,000 Value Indicator

¥45,000-¥70,000 Value Indicator

5,500-8,500 Value Indicator

$45,000-$70,000 Value Indicator

¥900,000-¥1,340,000 Value Indicator

$6,000-$9,000 Value Indicator

12% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Digital Print

Edition size: 35

Year: 2011

Size: H 42cm x W 34cm

Signed: Yes

Format: Signed Print

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Harland Miller's Love Conquers Nothing (signed) is a digital print from 2011, with an estimated value between £4,700 and £7,000. This artwork has shown consistent value growth, with an average annual growth rate of 12%. Over the past 12 months, the hammer price has ranged from £6,000 in November 2023 to £9,000 in June 2021. This is a rare piece, having been sold 7 times since its initial sale in December 2015. The edition size of this artwork is limited to 35.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
September 2024Sotheby's Online United Kingdom
April 2024Sotheby's London United Kingdom
December 2023Tate Ward Auctions United Kingdom
December 2023Tate Ward Auctions United Kingdom
November 2023Rosebery's Fine Art Auctioneers United Kingdom
October 2023Tate Ward Auctions United Kingdom
October 2023Tate Ward Auctions United Kingdom

Meaning & Analysis

Love Conquers Nothing, produced in 2011, highlights Miller’s satirical, slightly cynical humour and Abstract Expressionist influences running through his emblematic Penguin series. These clever works are based on the familiar cover format of Penguin books, authentically replicated in their rugged, second-hand finish by Miller through applying layers of paint onto an original digital photograph. The Penguin series is a fascinating exploration of the disconnect between representation and reality through Miller’s manipulation of his invented titles of these reimagined books by colour-coding them with various backgrounds. The titles can be characterized as “wittily deadpan, punkish and aphoristic” as novelist Michael Bracewell said.

Love Conquers Nothing is shown against a rich, dark-toned background resembling an abstract painting with the black paint dominating, dripping down over the magenta and yellow. This gives the text a pessimistic, even nihilistic air, demonstrating Miller’s skill of coding language through colour and image.It marries a variety of Miller’s important influences including his love for language and literature and visual traces of Pop Art, Colour Field and Abstract Expressionism and artists Anselm Kiefer, Rauschenberg, Ed Ruscha and Mark Rothko. In this piece the juxtaposition between the nostalgia and sentiment evoked by the familiarity of Vintage Penguin Classics and the quasi anti-romantic, disillusioned title strikes as especially powerful.

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