Map Of Days
Map Of Days
Signed Print
Grayson Perry
£35,000-£60,000
$70,000-$120,000 Value Indicator
$60,000-$110,000 Value Indicator
¥320,000-¥550,000 Value Indicator
€40,000-€70,000 Value Indicator
$350,000-$590,000 Value Indicator
¥6,730,000-¥11,530,000 Value Indicator
$45,000-$80,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Etching
Edition size: 68
Year: 2013
Size: H 110cm x W 150cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| June 2023 | Phillips London | United Kingdom | |||
| March 2022 | Christie's London | United Kingdom | |||
| September 2020 | Phillips London | United Kingdom | |||
| January 2017 | Phillips London | United Kingdom |
Meaning & Analysis
This signed etching from 2013 is a limited edition of 68 from Grayson Perry’s Maps collection. The print shows a map of a walled city whose contours are well demarcated through Perry’s use of a bold thick line. Around the city, the surrounding landscape is composed of isolated castles, interconnected roads and cultivated fields, each carefully labelled by the artist.
The print was created for an exhibition at the National Portrait Gallery and in conjunction with Perry’s show on Channel 4 Who Are You, and was loosely inspired by a map present in John Bunyan’s 1678 The Pilgrim’s Progress. Map Of Days, like different other maps created by Perry (Map Of An Englishman or Map Of Nowhere), is a metaphorical self-portrait of the artist, who once again opens himself and his inner psyche to his viewer. At the centre of the walled city, an unlabelled central space signifies the lack of a central core of identity, which Perry understands as always relational, ever-changing and in flux, shaped by the manifold experiences human beings go through. Here then Perry names Culture and Art, but also Tradition, as external factors influencing the artist.
In Map Of Days, also produced in blue, the artist once again resorts to the trope of traditional and antique cartography to chart and map the coordinates of his own identity, all in the while bringing together a wide range of art historical references.
The highest value realised for a work by Grayson Perry was in October 2017, when I Want To Be An Artist fetched £632,750 at Christie's, London. The values achieved for Perry's work at auction regularly land in the hundreds of thousands of pounds.
