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Christo

Christo is celebrated for his monumental environmental artworks, transforming landscapes and urban spaces into thought-provoking installations. If you’re looking for original Christo prints and editions for sale or would like to sell, request a complimentary valuation and browse our network’s most in-demand works.

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Biography

Born in 1935 in Gabrovo, Bulgaria, as Christo Vladimirov Javacheff, Christo's artistic sensibilities were moulded under the shadow of a communist regime, influencing his early understanding of public space and creative liberty. His studies at the Fine Arts Academy in Sofia laid the foundation for his art, but it was his brave escape to the West and subsequent settlement in Paris that birthed a pivotal turn in his life and career. Here, he encountered Jeanne-Claude Denat de Guillebon, destined to be both his lifelong partner and collaborator.

Christo's early ventures were modest in scale, primarily involving the wrapping of mundane objects, a practice that subtly challenged the viewer's perception of the familiar. However, it wasn't long before his creative ambitions evolved, scaling up to the wrapping of massive architectural structures. These large-scale installations, far from the spectacles critics made them out to be, were rich with symbolism. They reflected on the nature of art and eloquently explored the intricate relationship between humanity and the environment, themes that would become hallmarks of his career.

Christo's professional career, in collaboration with de Guillebon, was characterised by breathtaking installations that were monumental in both scale and impact. Their work, which often involved wrapping large buildings or natural features, became synonymous with an art form that transcended traditional boundaries. Notable projects included the wrapping of the Reichstag in Berlin, a striking symbol of reunification, and the Running Fence in California, a fabric fence stretching over 24 miles. These projects became powerful statements on environmental interaction and the temporary nature of art. Each installation, existing only for a brief period, underscored the transient beauty of the artwork and the importance of the present moment. Christo's recent endeavour, the wrapping of the Arc de Triomphe, posthumously realised in 2021, serves as a testament to his vision and impact on contemporary art.

Christo's work often sparked public debate, blurring the lines between art, architecture, and nature. The Umbrellas, an installation in Japan and California featuring thousands of large umbrellas opened across the landscapes, was emblematic of Christo's commitment to creating art that was not only visually appealing but also engaged communities and environments on a larger scale.

Collaborations with various architects, engineers, and administrative bodies were crucial in seeing projects like Wrapped Trees in Switzerland come to fruition. Throughout his career, Christo was often met with mixed reactions, from admiration to scepticism, reflecting the polarising impact of his work.

A two-panel artwork titled "The Umbrellas" showing plans for an environmental art installation. The top panel features a topographical map with contour lines, while the bottom panel shows an artistic rendering of large yellow umbrellas installed along a hillside. Handwritten notes and measurements appear along the edges.

The Umbrellas © Christo 1991

1. £1.2M for Christo's The Umbrellas (Joint Project for Japan and USA)

This preparatory drawing (1991) for one of Christo's most ambitious installations achieved its record-breaking price at the Unwrapped: The Hidden World of Christo and Jeanne-Claude sale at Sotheby's Paris in February 2021. This event, dedicated to the artist after his death, brought together an unprecedented collection of Christo’s mixed media and sculptural work. On such a momentous occasion, many of the works auctioned exceeded expectations - this drawing in particular achieved more than four times its high estimate. It documents Christo and Jeanne-Claude’s vision for the Californian half of the 1991 The Umbrellas project, which saw the simultaneous installation of 3,100 19ft umbrellas across two sites - blue ones in Japan and yellow ones in California. The drawing features Christo's characteristic style of collaged photographs, fabric samples, and detailed architectural notation.

A two-panel artwork showing plans for the blue umbrella installation in Japan. The top panel contains reference photos, technical drawings, and a topographical map with placement markers. The bottom panel shows an artistic rendering of large blue umbrellas installed among traditional Japanese houses on a riverside. Handwritten measurements and notes frame the artwork.

The Umbrellas © Christo 1991

2. £869,519 for Christo's The Umbrellas (Joint Project for Japan and USA)

A different preparatory drawing for The Umbrellas (1991) project achieved this impressive result at the same Sotheby's Paris sale in February 2021. This mixed media work offers insight into the planning of the 1,340 blue umbrellas installed in Ibaraki, Japan, rather than the yellow umbrellas in the US. Like its record-breaking counterpart, it is split across two landscape canvases, one much thinner than the other. It employs pencil, charcoal, pastels, and photo collage, to create a representation of the project where the contemporary reality of the space is overlaid with Christo’s artistic ambitions. The drawing's substantial value underscores the particular market enthusiasm for works related to The Umbrellas project, which stands as one of the artist's most geographically ambitious undertakings.

A two-panel artwork showing plans for an art installation in Central Park, New York. The top panel shows a map with orange highlighted pathways. The bottom panel is a mixed media rendering showing orange fabric gates lining a park path, with bare trees in black and white contrasting against the vibrant fabric panels.

The Gates © Christo 2002

3. £511,817 for Christo's The Gates (Project for Central Park, NY)

This 2002 two-piece mixed media drawing, which sold in Munich in December 2021, documents Christo's vision for The Gates (2005) - an installation that transformed New York's Central Park with 7,503 steel gates draped with saffron-coloured nylon fabric along 23 miles of park pathway. The gates were designed to resemble Japanese torii gates, often found at the entrance to Shinto shrines. The combination of black-and-white drawing with the proposed installation in vivid colour is distinctive of Christo’s artistic style, as is the blended use of multiple drawing materials and inclusion of a map. Created three years before the installation's realisation, but 23 years after the project’s conception, this drawing was produced during the mature phase of the project's planning, representing a significant amount of time and work, which adds to its appeal.

A two-panel artwork showing plans for an installation in Biscayne Bay, Florida. The top panel displays an aerial map with pink markings highlighting islands. The bottom panel shows an artistic rendering of an island surrounded by pink floating fabric, with grass and bushes in the centre of the island. Technical notes and measurements appear along the edges of both panels.

Surrounded Islands © Christo 1983