Bernd
Zimmer

Zimmer's painting technique is as distinctive as his subject matter. He often works on large-scale canvases, using broad brushstrokes and vibrant, often unmixed colours applied directly from the tube. This approach creates a sense of immediacy and energy in his works. Zimmer's process often involves working quickly and intuitively, allowing the paint to guide the composition as much as his initial concept. This method results in works with spontaneous expression, reflecting Zimmer's interest in capturing fleeting moments and impressions.

In his 1999 lithography series Tal (German for ‘Valley’), Zimmer captures an expansive landscape through an expressive use of colour and form. Tal I features a radiant yellow light framed by deep purple valley walls. In Tal II, the dominant red-orange backdrop evokes a warm, intense glow, while Tal III transitions into the rich blue of twilight. Each print evokes atmospheric shifts through bold, contrasting colours and simplified forms. His layered compositions gives the prints a textured feel, amplifying the spatial and emotional qualities of the scene.

Zimmer’s 2003 Cosmos lithography series explores the vastness of the universe, capturing a feeling of wonder through layered, luminous colours. In Cosmos III, deep indigo and midnight blue dominate the composition, punctuated by scattered, glowing dots resembling distant stars. The layered effect creates a sense of swirling, cosmic energy, while the vibrant yellow dots evoke celestial bodies illuminating the darkness. Zimmer’s expressive style in Cosmos invites viewers to reflect on the mysteries of the universe.