Price data unavailable
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Year: 2019
Signed: No
Format: Print
TradingFloor
Watch artwork, manage valuations, track your portfolio and return against your collection
Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
June 2021 | Tate Ward Auctions | United Kingdom | |||
May 2021 | Tate Ward Auctions | United Kingdom | |||
December 2020 | Tate Ward Auctions | United Kingdom | |||
November 2020 | Tate Ward Auctions | United Kingdom | |||
August 2020 | Tate Ward Auctions | United Kingdom | |||
June 2020 | Tate Ward Auctions | United Kingdom | |||
May 2020 | Tate Ward Auctions | United Kingdom |
Banksy™ Flower Thrower is a powerful screenprint by the enigmatic artist Banksy, created in 2003. The piece portrays a masked figure poised to throw a bouquet of flowers instead of a weapon, emblematic of peace and resistance. This work is a quintessential example of Banksy’s provocative street art style, merging political commentary with striking imagery.
In Banksy™ Flower Thrower, Banksy employs his signature stencil technique to craft a visually arresting image that juxtaposes the aggression of a rioter with the gentleness of a floral bouquet. The monochrome figure, set against a stark background, captures the tension between violence and peace. This piece reflects Banksy's broader themes of anti-war sentiment and social justice, resonating with audiences worldwide. Originally painted as a mural on the West Bank Wall, it has become an icon of the street art movement and one of Banksy's most widely-recognisable series, Love Is In The Air. The artwork's use of irony and symbolism challenges viewers to reconsider the nature of protest and the power of peaceful resistance. Banksy's ability to convey profound messages through simple imagery is evident here, solidifying the piece's status as a seminal work in contemporary art.