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Marilyn (F. & S. II.26) - Signed Print by Andy Warhol 1967 - MyArtBroker

Marilyn (F. & S. II.26)
Signed Print

Andy Warhol

£100,000-£150,000Value Indicator

$210,000-$310,000 Value Indicator

$180,000-$270,000 Value Indicator

¥950,000-¥1,430,000 Value Indicator

110,000-170,000 Value Indicator

$1,010,000-$1,520,000 Value Indicator

¥18,720,000-¥28,080,000 Value Indicator

$130,000-$200,000 Value Indicator

9% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 250

Year: 1967

Size: H 91cm x W 91cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Andy Warhol’s Marilyn (F. & S. II.26) is estimated to be worth between £100,000 and £150,000. This signed screenprint from 1967 has shown consistent value growth, with an average annual growth rate of 9%. This work has an auction history of 27 total sales since its entry to the market in October 1998. In the last 12 months, the average selling price was £101,665, across 3 total sales. Over the past five years, the hammer price has ranged from £70,560 in September 2022 to £116,541 in October 2024. The average return to the seller over the last five years has been £78,678. The edition size of this artwork is limited to 250.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
March 2025Sotheby's London United Kingdom
October 2024SBI Art Auction Japan
April 2024Phillips New York United States
September 2023Christie's London United Kingdom
March 2023Sotheby's Paris France
September 2022Sotheby's Online United Kingdom
October 2021Sotheby's New York United States

Meaning & Analysis

Shortly after her tragic death in 1962, Warhol had depicted Marilyn Monroe in 23 paintings based on a publicity photograph from the film Niagara (1953), cropped to bring greater attention to her features. In this reiteration of the portrait, Warhol has appropriated the same photograph that shows her face turned slightly to her right and lips parted with a smile. The image is flattened and subdued colours of grey, yellow and blue are used against a pop of neon pink of Monroe’s lips and clothing. Warhol was obsessed with reproducing Monroe’s image through the medium of screen printing and this body of work is exemplary of Warhol’s unrivalled graphic exploration in colour, contrast and repetition.

Changing the course of art history, Warhol’s Marilyn series indicative of the artist’s infatuation with celebrity culture and his subsequent willingness to self-publicise. Hitting on the darker side of fame by publishing this print immediately following Monroe’s death, Warhol points to the thin veneer of glamour that her image portrayed in the mass-media.

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