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Marilyn (F. & S. II.22) - Signed Print by Andy Warhol 1967 - MyArtBroker

Marilyn (F. & S. II.22)
Signed Print

Andy Warhol

£110,000-£170,000Value Indicator

$230,000-$350,000 Value Indicator

$200,000-$320,000 Value Indicator

¥1,030,000-¥1,590,000 Value Indicator

130,000-200,000 Value Indicator

$1,100,000-$1,700,000 Value Indicator

¥20,890,000-¥32,280,000 Value Indicator

$140,000-$220,000 Value Indicator

8% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 250

Year: 1967

Size: H 91cm x W 91cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Andy Warhol’s Marilyn (F. & S. II.22) (signed) is estimated to be worth between £110,000 and £170,000. Over the past 12 months, the screenprint has sold once at an average selling price of £120,000. In the last five years, the hammer price has ranged from £94,129 in October 2021 to £184,038 in April 2022. This artwork has shown consistent value growth, with an average annual growth rate of 8%. This work is part of a limited edition of 250. Since its first sale in December 1999, Marilyn (F. & S. II.22) has been sold 23 times at auction.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
December 2024Bonhams New Bond Street United Kingdom
April 2022Sotheby's New York United States
October 2021Christie's New York United States
October 2021Sotheby's New York United States
April 2019Sotheby's New York United States
March 2016Sotheby's London United Kingdom
April 2015Christie's New York United States

Meaning & Analysis

Shortly after her tragic death in 1962, Warhol had depicted Marilyn Monroe in 23 paintings based on a publicity photograph from the film Niagara (1953), cropped to bring greater attention to her features. This print shows an iteration of the same photograph that shows her face turned to her right and lips sensually parted with a smile. Marilyn (F. & S. II.22) is particularly striking in its bold use of colour oppositions and high contrasts.

Warhol was obsessed with reproducing Monroe’s image through the medium of screen printing and this body of work exemplifies the artist’s idea that ‘repetition adds up to reputation’. Significantly contributing to the ‘print boom’ of the 1960s, this series points to the way in which Warhol changed the course of art history through the screen printing method and obsessive repletion of his subject matter

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