Feeling Safe
Feeling Safe
Signed Print
Tracey Emin
£1,250-£1,900
$2,500-$3,750 Value Indicator
$2,250-$3,450 Value Indicator
¥11,500-¥18,000 Value Indicator
€1,500-€2,300 Value Indicator
$12,500-$19,000 Value Indicator
¥250,000-¥380,000 Value Indicator
$1,650-$2,450 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Etching
Edition size: 120
Year: 2012
Size: H 42cm x W 59cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2022 | Sotheby's Online - United Kingdom | Feeling Safe - Signed Print | |||
| July 2020 | Rosebery's Fine Art Auctioneers - United Kingdom | Feeling Safe - Signed Print | |||
| September 2019 | Sotheby's London - United Kingdom | Feeling Safe - Signed Print | |||
| January 2019 | Forum Auctions London - United Kingdom | Feeling Safe - Signed Print |
Meaning & Analysis
This touching etching was created by Tracey Emin in 2012 and forms part of the Animals collection. At the centre of a white paper background there is a simply rendered pair of white doves, with a cloudy transfer of ink about them. To the right of this central pair, the head of another dove looms above, watching in on the lovebirds.
Emin, the 'enfant terrible' of the Young British Artists group, has been celebrated for her controversial practice, mingling her wry humour with often sexually energetic subject matter. However, as Emin herself and her career have matured, the artist has become increasingly spiritual and interested more so in romantic intimacy over lust.
Feeling Safe eloquently signals the artist’s emotional maturity and understanding of self. The two lovebirds at the centre of the composition are being watched over by a ghostly dove behind them, perhaps part of the reason the work is titled Feeling Safe. Like many of her works with animals as their subject, Emin uses the birds to reveal something of the human condition. As she reveals in this charming print, the longing for intimacy and partnership is something common across the animal kingdom.
