The World's Largest Modern & Contemporary Prints & Editions Platform
Suffer Love - Signed Print by Tracey Emin 2009 - MyArtBroker

Suffer Love
Signed Print

Tracey Emin

£1,600-£2,400Value Indicator

$3,350-$5,000 Value Indicator

$2,950-$4,450 Value Indicator

¥16,000-¥23,000 Value Indicator

1,900-2,800 Value Indicator

$17,000-$25,000 Value Indicator

¥310,000-¥460,000 Value Indicator

$2,150-$3,200 Value Indicator

-4% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Etching

Edition size: 250

Year: 2009

Size: H 11cm x W 15cm

Signed: Yes

Format: Signed Print

TradingFloor

2 in network
1 want this
Find out how Buying or Selling works.
Track this artwork in realtime

Watch artwork, manage valuations, track your portfolio and return against your collection

Track auction value trend

The value of Tracey Emin’s Suffer Love (signed) is estimated to be worth between £1,600 and £2,400. This etching print from 2009 has an auction history of seven total sales since its entry to the market on 12th May 2020. In the past five years, the hammer price has ranged from £671 in August 2020 to £3,200 in July 2022. The average annual growth rate of this artwork is -4%. The edition size of this artwork is limited to 250.

Unlock up-to-the-minute market data on Tracey Emin's Suffer Love, login or create a free account today

Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
April 2024Rosebery's Fine Art Auctioneers United Kingdom
July 2023Toovey's United Kingdom
March 2023Rosebery's Fine Art Auctioneers United Kingdom
July 2022Rosebery's Fine Art Auctioneers United Kingdom
September 2021Sotheby's Online United Kingdom
August 2020Wilson55 United Kingdom
May 2020Tate Ward Auctions United Kingdom

Meaning & Analysis

This sexually charged etching formed part of Emin’s White Cube exhibition Those Who Suffer Love. This particular work formed part of an animation of similar prints, which when played together brought to life the act of masturbation caught in each etching. In an interview for the exhibition, Emin explains that she “didn’t want to put my face on the figure because it’s not about me. It’s about the idea of a woman which is important”.

The exhibition in its entirety is about Emin’s fears around losing her “sexual energy”, and the animation from which this etching originates is a celebration of that sexual energy which has been so integral to her life and work. Through this self-exploration of her own body and sexual pleasure, Emin makes peace with this changing outlook on sex and lust. Like much of her work, Suffer Love is confessional and meditative, and Emin gives us an intimate glimpse of her hopes and fears.