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Standing Figure (blue) - Signed Print by Stik 2015 - MyArtBroker

Standing Figure (blue)
Signed Print

Stik

£750-£1,150Value Indicator

$1,550-$2,350 Value Indicator

$1,400-$2,100 Value Indicator

¥7,000-¥11,000 Value Indicator

900-1,400 Value Indicator

$7,500-$11,500 Value Indicator

¥150,000-¥220,000 Value Indicator

$950-$1,500 Value Indicator

5% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Lithograph

Year: 2015

Size: H 76cm x W 24cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Stik's Standing Figure (blue) is estimated to be worth between £750 and £1,150. This signed lithograph print, created in 2015, has shown consistent value growth, with an annual average growth rate of 6%. This work has a strong auction history, having been sold 16 times since its entry to the market in May 2017. In the past five years, the hammer price has ranged from £500 in February 2023 to £1,300 in November 2020. The average return to the seller is £715. This is a limited edition artwork.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
June 2023Tate Ward Auctions United Kingdom
May 2023Chiswick Auctions United Kingdom
February 2023Tate Ward Auctions United Kingdom
March 2021Chiswick Auctions United Kingdom
November 2020Tate Ward Auctions United Kingdom
August 2020Tate Ward Auctions United Kingdom
February 2020Forum Auctions London United Kingdom

Meaning & Analysis

Released in combination with his coffee table book, published in 2015, Standing Figure features a lone stickman: a common motif in the Stik oeuvre. The image recalls The Big Issue, but here the lines are thicker, shorter and the eyes are wider. While similar images are revisited repeatedly by Stik, there is constant development in his practice, in line with the changing urban milieu which is often the setting for his work. This is an idea explored in his exhibition and print series entitled Walk.

Standing Figure is a remarkable example of Stik’s compression of the complexities of the human frame into a  drawing composed of six lines. Its inclusion as a pull-out in his retrospective book is  particularly apt as testament to the origins of his practice. He has noted that “when I started painting in the street I soon found out that using just six lines and two dots was the quickest way to paint a human figure”. The primarily practical reasoning for his signature style makes its singularly rich communication of feelings of isolation and hopelessness no less potent.

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